After making it into Nicholl quaterfinals last week, I got a 4/10 in a Blcklist.com review this week.
Now, I can and will go off on how incompetent this reader was. The 4/10 is one thing, but the person wrote a convoluted coverage. It started with a generic “this script needs more development,” and did not get any better.
Trust me. I know bad reviews. I go and read one star reviews of my favorite books on Amazon just to rile up my anger. My favorite was the person who went on a three paragraph tirade about why The Hunger Games was bad for its use of first person, present tense.
(The best person/verb tense IMO. But, even if you don’t like first person, present tense, that’s the STUPIDEST REASON IN THE WORLD for a one star review).
I’m not interested in revising this script, but, if I was, this review would be ABSOLUTELY NO HELP.
I want my $50 back.
I’m in an awful mood. It doesn’t shake my self-confidence really. It’s fine if someone doesn’t like my script. OBVIOUSLY, some people did like it because IT IS IN THE NICHOLL QUARTERFINALS (not to brag or anything… but it is IN THE NICHOLL QUARTERFINALS).
And, quite frankly, I know it’s not a 4. The guy–let’s face it, he was probably a guy what with the convoluted comments he made about female sexuality–gave the dialogue a 4. Plot a 4–sure, whatever. The plot is just okay. But the dialogue is FAN-FUCKING-TASTIC.
A lot of people liked it. I know BECAUSE THEY TOLD ME. And I know they weren’t just saying that, because these people have read other things I wrote, and they did NOT tell me they liked those things.
I’m not upset in a oh no, am I a good writer??? kind of way. I know I’m a good writer and I know my script is good. And, I know, from this coverage, that the reader paid little attention (the location is mentioned in the first five pages and the reader didn’t know what city the script took place in. Even if the script totally sucked, the reader should have paid attention for the first five pages). I wrote coverage for a while, and I had to read other writers’ coverage and, quite frankly, A LOT OF THEM WERE IDIOTS.
It’s just… after getting the quarterfinals email, I was starting to get back on the screenwriting train. I was like Hell Yeah, I’m the shit. Top 2% in the most prestigious screenwriting competition around. Maybe there is some way I’ll become successful. Maybe I should spend some of my writing time on screenplays.
And I started thinking that I actually missed screenwriting. I missed my silly comedy. And I missed using sex as a punchline. And I missed formatting my dialogue in lovely centered blocks without quotation marks.
But, this convoluted coverage and its mediocre score have reminded me that there is little merit to whatever you want to call “breaking in.” It costs me $75 to get one review and one month of hosting. Sure, I can pay another $50 for a review, and I’d be willing to bet I’d get a better score, but why bother if I might get another person who OBVIOUSLY ISN’T PAYING ATTENTION.
What’s the point in writing any more screenplays at all?
I don’t know anymore.
I might pay for another review. Out of curiosity. Honestly, I don’t see how anyone could give the script a four unless he was having a bad day. It has problems (none of which were mentioned in the weakness. It was only painfully generic things like “this character felt two different ways about something. Inconsistent. I do not understand subtlety.”), bit it’s at least a solid six.
But what if I get another four? I’d freak the fuck out to be honest with you.